The Sky as Religion: A Study
- Sierra B. Jameson
- Jun 20
- 2 min read

Often in prayer, one looks up to their god. Why up?
If up is where gods live, how can a christian and a
pagan live under the same roof? We both look up
for answers, perhaps that’s why a question ends with
a rising inflection. Roofs point up to direct rainfall
to the ground. Rain doesn’t ask questions, hence why
it comes down. Though, sometimes when rain rejoins
its larger family, it is awakened to questions. Hitting
the bottom, the rain reaches back upward. Some would
call this Buddhism. Life in a droplet. Life / living is
seeking answers? There must be a reason dreamers
are heads in clouds—what is dreaming if not searching
while the body rests, down? “Touch the sky” though
it’s intangible—is the tangibility of the ground, of down,
what guarantees an answer? The knowing? The
intangibility of the sky suggests the gods are not, in
fact, up, but they are / it is / somewhere, unless
the moon and outer planets are the gods—an old
one, but one that could make sense. The planets
don’t have up or down. Does this sense of no
direction prove the existence of godhood? Why?
A page’s words know; they read from up. What,
however, of a capital and lowercase? Are capital letters
wondrous? Lowercase knowing? Foundations are as low
as they can be to support looking up. Building (anything)
without is advised against. How to know before asking
questions? They are the last blanket before—what? Does
it go like this: the higher up you go, the most a question can
be?, and the lower you go, the most an answer can be? Plants
reach for the sun in photosynthesis, but do they have
questions of their own, too? Graves are answers and
balloons are not. Pepper is down and stays down.
Is gravity hubris? Was Icarus seeking godliness or answers
(are they / they are / not one and the same)?

Sierra (they/them) is a genderfluid writer based in Oregon and loves to challenge the line between poetry and reality. Some of their work can be found in Bending Genres, Main Squeeze, and Southern Exposure. They featured in the 2024 season of the Oregon Fringe Festival with their chapbook Garden Skull.